{"id":102567,"url":"https://api.musopen.org/v2/scores/102567/","number":4,"title":"Symphony no. 5 in C minor, Op. 67 - III. Scherzo, Allegro","edition":"Braunschweig: Henry Litolff's Verlag (ca.1880)","piece":{"id":2567,"url":"https://api.musopen.org/v2/pieces/2567/","slug":"symphony-no-5-in-c-minor-op-67","title":"Symphony No. 5 in C minor, Op. 67","description":"<p>Die&nbsp;Sinfonie Nr. 5 c-Moll, Op. 67,&nbsp;wurde 1808 fertiggestellt und uraufgeführt&nbsp;Es erlangte schon bald Berühmtheit und wurde zu einer der beliebtesten Kompositionen&nbsp;der klassischen Musik.&nbsp;Beethoven war Mitte Dreißig: Sein Privatleben wurde durch zunehmende&nbsp;beeinträchtigt.&nbsp;Weltweit war diese Zeit von den&nbsp;Napoleonischen Kriegen geprägt.&nbsp;Die Symphonie erlangte bald den Status eines zentralen Elements des Repertoires: Sie war sowohl in technischer als auch emotionaler Hinsicht bahnbrechend,&nbsp;hatte großen Einfluss auf Komponisten und Musikkritiker&nbsp;und inspirierte Werke von Komponisten wie&nbsp;Brahms,&nbsp;Tschaikowsky,&nbsp;Bruckner,&nbsp;Mahler und&nbsp;Berlioz.&nbsp;Der 1. Satz. wurde auf der&nbsp;Voyager Golden Record vorgestellt.</p>","movements":"","composer":{"id":23,"url":"https://api.musopen.org/v2/composers/23/","slug":"ludwig-van-beethoven","first_name":"Ludwig van","last_name":"Beethoven","date_of_birth":"17th December 1770","place_of_birth":"Bonn, Germany","date_of_death":"26th March 1827","description":"Ludwig van Beethoven was a German composer and pianist. The crucial figure in the transition between the Classical and Romantic eras in Western art music, he remains one of the most famous and influential composers of all time. Born in Bonn, then the capital of the Electorate of Cologne and part of the Holy Roman Empire, Beethoven moved to Vienna in his early 20s, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. His hearing began to deteriorate in the late 1790s, yet he continued to compose, conduct, and perform, even after becoming completely deaf.","image":"https://s.musopen.org/media/images/composers/beethoven.jpg","is_featured":true,"is_bookmarked":false},"form":{"id":17,"url":"https://api.musopen.org/v2/forms/17/","slug":"symphony","name":"Symphony","description":"A symphony is a multi movement piece of music, most often written for a large instrumental force. The term has varied in meaning since its origins in ancient Greece. During the Baroque period, the terms symphony and sinfonia (its equivalent in some romance languages) were used to describe several instrumental forms, usually part of larger works (such as three part inventions). During the 18th century, the term symphony was often interchangeable with the term 'overture'. In fact, the fast-slow-fast structure of the Italian overture, together with the sonata form, exerted a big influence on the development of the 'traditional' or Romantic symphony form, which ultimately came to be defined as: an opening allegro movement in sonata form, a slow movement, a dance movement, and a second fast movement, usually a rondo or a set of theme+variations. During the Romantic period composers experimented with variations on this layout, and included programmatic elements into their symphonic compositions.","is_bookmarked":false},"period":{"id":4,"url":"https://api.musopen.org/v2/periods/4/","slug":"romantic","name":"Romantic","description":"The term 'Romantic music' denotes a period of Western academic music that lasted throughout most of the 19th century, framing itself in Romanticism, the European artistic and literary movement. Romantic music is often characterized as being a reaction to the contained elegance and purity of the Classical period, though the reality is far more complex. Romantic composers were often fascinated with several -often contradictory- subjects: Nature and man's constant struggle against it, everything supernatural and fabulous, the mythical past, the autobiographical and the heroic, the isolated genius, the future of mankind. Improvements in instrumental design and technique, and the growth of orchestras, expanded the possibilities for composers. The rise of the middle class and the emancipation of musicians from courts and patrons represented a change in the way music reached the society. Some of the Romantic composers took an interest in nationalistic music, expressing the state of turmoil that Europe suffered. Musical forms continued to develop: while symphonies became longer and more complex, short musical forms blossomed (such as Chopin's nocturnes). Interest in preservation of the music of the past grew, as well as the will to develop music beyond its current state in terms of form, harmony, counterpoint, etc. ","is_bookmarked":false},"instruments":[{"id":8,"url":"https://api.musopen.org/v2/instruments/8/","slug":"orchestra","name":"Orchestra","description":"The orchestra is an instrumental ensemble that may contain sections of string, woodwind, brass, and percussion instruments, with the occasional addition of instruments such as keyboards, harps, or electric instruments. It could be considered as the pinnacle ensemble in Western musical tradition, because of the variety and complexity of its repertoire, the rich possibilities it offers in terms of sonority, and its elastic structure and composition. The orchestra consolidated in this position during the 18th and 19th century, and the 20th and 21st centuries saw its inclusion in mass media such as film music, video game music, television, etc. \r\nOrchestras may vary in size from chamber ensembles (than can have around 50 members or less) to full sized orchestras (70-100 or more musicians). The terms 'symphonic' and 'philharmonic' are usually reserved to designate such orchestras, thought in practice this naming convention doesn't imply any real difference in terms of repertoire or composition. Orchestras can also be found attached to institutions such as colleges, either of amateur or professional character.\r\nIn the early days orchestras were often conducted by a playing musician or by a soloist, and they could even perform without a conductor. The increasing size of ensembles, the growing complexity of the music, and the refinement of musical expectations in audiences, all helped to develop the figure of the orchestral conductor, which directs the orchestra through visible hand gestures, besides playing a part in its management.","image":"https://s.musopen.org/media/images/instruments/orc.JPG","is_bookmarked":false}],"key":{"id":22,"url":"https://api.musopen.org/v2/keys/22/","slug":"c-minor","name":"C Minor","is_bookmarked":false},"licenses":["CC-BY-SA","CC-PD","CC-BY"],"avg_duration":32,"practice_difficulty":"hard","rcm_difficulty_level":"","rating":3.7,"hits":326977,"is_bookmarked":false},"key":null,"instruments":[],"rating":5.0,"fileurl":"https://dl.musopen.org/sheetmusic/e1853b5a-9fd1-4fc8-a5d0-3d41a5443e03.pdf?filename=Symphony%20no.%205%20in%20C%20minor%2C%20Op.%2067%20-%20III.%20Scherzo%2C%20Allegro.pdf","is_bookmarked":false}