{"id":11367,"url":"https://api.musopen.org/v2/scores/11367/","number":0,"title":"Complete Score","edition":null,"piece":{"id":6340,"url":"https://api.musopen.org/v2/pieces/6340/","slug":"concertino-for-english-horn-and-orchestra","title":"Concertino for English Horn and Orchestra","description":"","movements":"","composer":{"id":273,"url":"https://api.musopen.org/v2/composers/273/","slug":"gaetano-donizetti","first_name":"Gaetano","last_name":"Donizetti","date_of_birth":"29th November 1797","place_of_birth":"Bergamo, Lombardy, Italy","date_of_death":"8th April 1848","description":"Gaetano Donizetti was an Italian composer from Bergamo, Lombardy. His best-known works are the operas L'elisir d'amore (1832), Lucia di Lammermoor (1835), and Don Pasquale (1843), all in Italian, and the French operas La favorite and La fille du régiment (both from 1840). Along with Vincenzo Bellini and Gioachino Rossini, he was a leading composer of bel canto opera.","image":"https://s.musopen.org/media/images/composers/Gaetano_Donnizetti.jpg","is_featured":false,"is_bookmarked":false},"form":{"id":3,"url":"https://api.musopen.org/v2/forms/3/","slug":"concerto","name":"Concerto","description":"A concerto is a musical composition, often in more than one movement, in which one or more solo instruments play along an orchestra (or some other comparatively big instrumental force). The etimology of the word suggests that the soloist(s) and the ensemble develop the piece by presenting contrasting episodes where they play independently, in cooperation, and in different levels of subordination. The concerto, as understood today, arose in the Baroque era with the 'concerto grosso', a musical form where a small group of players contrasted against a bigger orchestra. While the concerto grosso eventually declined, the solo concerto remains one of the most popular musical forms in Western classical music. \r\n\r\nHaving successfully survived through many the periods of Western classical music history, the Concerto underwent many formal changes. It is conventional, if only as a basic definition, to say that the concerto is usually a multi movement work, of which the first movement is roughly structured around the allegro-sonata form (even if Mozart himself treated his concertos with notable freedom in terms of formal development). The second movement of a concerto, as in the sonata/symphonic tradition, is usually slow and contrasts with the first one. It can be in an abridged sonata form, a romance, a set of theme and variations, etc. The third movement will traditionally return to the home key in lively tempo, usually in the form of a dance, rondo, etc.","is_bookmarked":false},"period":{"id":4,"url":"https://api.musopen.org/v2/periods/4/","slug":"romantic","name":"Romantic","description":"The term 'Romantic music' denotes a period of Western academic music that lasted throughout most of the 19th century, framing itself in Romanticism, the European artistic and literary movement. Romantic music is often characterized as being a reaction to the contained elegance and purity of the Classical period, though the reality is far more complex. Romantic composers were often fascinated with several -often contradictory- subjects: Nature and man's constant struggle against it, everything supernatural and fabulous, the mythical past, the autobiographical and the heroic, the isolated genius, the future of mankind. Improvements in instrumental design and technique, and the growth of orchestras, expanded the possibilities for composers. The rise of the middle class and the emancipation of musicians from courts and patrons represented a change in the way music reached the society. Some of the Romantic composers took an interest in nationalistic music, expressing the state of turmoil that Europe suffered. Musical forms continued to develop: while symphonies became longer and more complex, short musical forms blossomed (such as Chopin's nocturnes). Interest in preservation of the music of the past grew, as well as the will to develop music beyond its current state in terms of form, harmony, counterpoint, etc. ","is_bookmarked":false},"instruments":[{"id":56,"url":"https://api.musopen.org/v2/instruments/56/","slug":"solo-instruments-and-orchestra","name":"Solo Instrument(s) and Orchestra ","description":"","image":null,"is_bookmarked":false}],"key":{"id":2,"url":"https://api.musopen.org/v2/keys/2/","slug":"g-major","name":"G Major","is_bookmarked":false},"licenses":[],"avg_duration":25,"practice_difficulty":"medium","rcm_difficulty_level":"","rating":0.0,"hits":7708,"is_bookmarked":false},"key":null,"instruments":[],"rating":0.0,"fileurl":"https://dl.musopen.org/sheetmusic/f9652b3e-e079-4187-a387-4685fabc020b.pdf?filename=Complete%20Score.pdf","is_bookmarked":false}