{"id":11621,"url":"https://api.musopen.org/v2/scores/11621/","number":0,"title":"Complete Score","edition":null,"piece":{"id":6553,"url":"https://api.musopen.org/v2/pieces/6553/","slug":"keyboard-sonata-in-d-minor-k213","title":"Keyboard Sonata in D minor, K.213","description":"Keyboard Sonata in D minor, K.213, composed by Domenico Scarlatti, is a captivating and energetic piece that showcases the composer's mastery of keyboard writing. Scarlatti, an Italian Baroque composer, was known for his innovative and expressive compositions for the harpsichord.\n\nThe Sonata in D minor is a perfect example of Scarlatti's distinctive style, characterized by virtuosic passages, mesmerizing melodic lines, and dynamic contrasts. The piece unfolds with a sense of urgency and intensity, capturing the listener's attention from the very beginning.\n\nScarlatti expertly explores the unique capabilities of the keyboard, creating intricate and complex passages that require both technical proficiency and musical sensitivity. The sonata alternates between passages of rapid scales and arpeggios, showcasing the performer's agility, and sections of lyricism and introspection, allowing for moments of reflection.\n\nDespite its minor key, the sonata also reveals moments of brightness and optimism, further emphasizing the composer's ability to convey a wide range of emotions through his music. The piece culminates in a thrilling finale, leaving the listener both mesmerized and in awe of Scarlatti's compositional genius.\n\nOverall, Scarlatti's Keyboard Sonata in D minor, K.213, is a testament to his talent as a composer and remains a captivating and compelling piece in the classical repertoire.","movements":"","composer":{"id":196,"url":"https://api.musopen.org/v2/composers/196/","slug":"domenico-scarlatti","first_name":"Domenico","last_name":"Scarlatti","date_of_birth":"26th October 1685","place_of_birth":"","date_of_death":"23rd July 1757","description":"Giuseppe Domenico Scarlatti was an Italian composer who spent much of his life in the service of the Portuguese and Spanish royal families. He is classified as a Baroque composer chronologically, although his music was influential in the development of the Classical style. Like his renowned father Alessandro Scarlatti he composed in a variety of musical forms although today he is known almost exclusively for his 555 keyboard sonatas. Only a small fraction of Scarlatti's compositions were published during his lifetime; Scarlatti himself seems to have overseen the publication in 1738 of the most famous collection, his 30 Essercizi (\"Exercises\"). These were rapturously received throughout Europe, and were championed by the foremost English writer on music of the eighteenth century, Dr. Charles Burney.","image":"https://s.musopen.org/media/images/composers/475px-Retrato_de_Domenico_Scarlatti.jpg","is_featured":false,"is_bookmarked":false},"form":{"id":15,"url":"https://api.musopen.org/v2/forms/15/","slug":"sonata","name":"Sonata","description":"A sonata is a work in three or four movements (rarely two, or more than four) for a single instrument or a small number of performers. The term evolved through the history of music, designating a variety of forms prior to the Classical era. By the early 19th century the word came to define a multi movement work, almost always including a first movement in the so called 'sonata form', a second movement of a slow, contrasting character; a dance for third movement, and a finale in a rondo, theme and variations, or sonata form. The term 'sonata form' refers to the layout of the first movement of a sonata, which confronts two main themes of different quality, develops them and then recapitulates. This soon became a basic principle in academic music writing. It was applied to many forms of large works, and, together with the fugue, defined the composition and musical analysis procedures for almost a century. Today it is still widely studied, and sonatas continued to be written, even if musical languages have changed.","is_bookmarked":false},"period":{"id":2,"url":"https://api.musopen.org/v2/periods/2/","slug":"baroque","name":"Baroque","description":"Baroque music describes a period or style of European classical music approximately extending from 1600 to 1750. This era is said to begin in music after the Renaissance, and was followed by the Classical period. The word \"baroque\" came from the Portuguese word barroco, meaning \"misshapen pearl\", an initially derisive characterization of the architectural style of this period; later, the name came to be applied also to its music. The baroque period saw the development of functional tonality, as well as the crystallization of the harmony and counterpoint rules which came to define the 'common practice period' (which extends from the baroque to the late romantic). Nowadays baroque music constitutes an important part of the academic music canon, being widely studied, performed, and listened to. It is associated with composers such as Antonio Vivaldi, George Frideric Handel, Arcangelo Corelli, Tomaso Albinoni, and Johann Sebastian Bach, all of which played an essential role in the development of modern musical concepts. During the baroque period a number of genres were established (such as the opera and the oratorio), the way was paved for new genres (such as the classical sonata and the symphony), and composers expanded the theoretical basis of music composition, making advances in musical notation and instrumental technique.","is_bookmarked":false},"instruments":[{"id":37,"url":"https://api.musopen.org/v2/instruments/37/","slug":"piano","name":"Piano","description":"The piano is a keyboard-based music instrument. Its versatility and pervasiveness, together with its polyphonic capabilities have made it one of the world's most employed instruments, and a crucial piece in the development of the Western musical tradition. It's name is a shortened form of 'pianoforte', terms which in Italian respectively mean 'soft' and 'loud', referring the fact that the pianoforte had the capability of producing variations in volume which previous keyboard instruments could not.\r\nStandard pianos have 52 white keys and 36 black ones, for a total of 88. They are chordophones: pressing any key activates a mechanism which makes a hammer strike a set of strings. The sound produced is amplified via the soundboard and body of the piano. \r\nBeing one of the most influential instruments in the history of music, the piano has undergone many changes and technological innovations, from the insertion of the damper and tonal pedals, to the creation of electric, electronic, and digital pianos.","image":"https://s.musopen.org/media/images/instruments/pexels-juan-pablo-serrano-arenas-1246437_1.jpg","is_bookmarked":false}],"key":{"id":24,"url":"https://api.musopen.org/v2/keys/24/","slug":"d-minor","name":"D Minor","is_bookmarked":false},"licenses":[],"avg_duration":3,"practice_difficulty":null,"rcm_difficulty_level":"","rating":0.0,"hits":28955,"is_bookmarked":false},"key":null,"instruments":[],"rating":0.0,"fileurl":"https://dl.musopen.org/sheetmusic/0e2dd58c-eae4-415a-b1cc-3f92bcdb6cfa.pdf?filename=Complete%20Score.pdf","is_bookmarked":false}