{"id":13114,"url":"https://api.musopen.org/v2/scores/13114/","number":1,"title":"Piano and Violin - Burmester","edition":null,"piece":{"id":7490,"url":"https://api.musopen.org/v2/pieces/7490/","slug":"gavotte","title":"Gavotte","description":"The gavotte originated as a french folk dance, eventually cristalizing as a court dance with a distinctive half bar upbeat. It became popular in the court of Louis XIV, where Jean Baptiste Lully was the leading court composer. This particular gavotte has been arranged for orchestra, piano and violin, piano and cello, and trumpet and organ, and has become a popular study piece due to its simple yet expressive melody.","movements":"","composer":{"id":356,"url":"https://api.musopen.org/v2/composers/356/","slug":"jean-baptiste-lully","first_name":"Jean Baptiste","last_name":"Lully","date_of_birth":"28th November 1632","place_of_birth":"Florence, Italy","date_of_death":"22nd March 1687","description":"Jean-Baptiste Lully (born Giovanni Battista Lulli) was a Florentine-born French composer who spent most of his life working in the court of Louis XIV of France. He is considered the chief master of the French baroque style. Lully disavowed any Italian influence in French music of the period. He became a French subject in 1661.","image":"https://s.musopen.org/media/images/composers/Jean-Baptiste_Lully_Nicolas_Mignard.jpg","is_featured":false,"is_bookmarked":false},"form":{"id":151,"url":"https://api.musopen.org/v2/forms/151/","slug":"gavotte","name":"Gavotte","description":"The term 'gavotte' designates a more or less inconsistent genre of court dances originating in France and inspired in rural dances. It was popular during the late 16th century in the court of Louis XIV: many gavottes were composed by Lully, Rameau and Gluck. The dance was usually written in a 4/4 or 2/2 meter, though some gavottes have been written in 9/8 or 5/8. During the 19th century, a popular column dance called 'the gavotte' arose, but had no relation to the court dance.","is_bookmarked":false},"period":{"id":2,"url":"https://api.musopen.org/v2/periods/2/","slug":"baroque","name":"Baroque","description":"Baroque music describes a period or style of European classical music approximately extending from 1600 to 1750. This era is said to begin in music after the Renaissance, and was followed by the Classical period. The word \"baroque\" came from the Portuguese word barroco, meaning \"misshapen pearl\", an initially derisive characterization of the architectural style of this period; later, the name came to be applied also to its music. The baroque period saw the development of functional tonality, as well as the crystallization of the harmony and counterpoint rules which came to define the 'common practice period' (which extends from the baroque to the late romantic). Nowadays baroque music constitutes an important part of the academic music canon, being widely studied, performed, and listened to. It is associated with composers such as Antonio Vivaldi, George Frideric Handel, Arcangelo Corelli, Tomaso Albinoni, and Johann Sebastian Bach, all of which played an essential role in the development of modern musical concepts. During the baroque period a number of genres were established (such as the opera and the oratorio), the way was paved for new genres (such as the classical sonata and the symphony), and composers expanded the theoretical basis of music composition, making advances in musical notation and instrumental technique.","is_bookmarked":false},"instruments":[{"id":179,"url":"https://api.musopen.org/v2/instruments/179/","slug":"open-instrumentation","name":"Open Instrumentation","description":"Pieces may have an open instrumentation either by an explicit choice of the composer, or because they come from a time or tradition where it is not customary to specify instrumentation in written music, and there are little certainties as to which instrument should be used for a piece. When the open instrumentation comes from an explicit choice of the composer, it may be because the composition can either be played by many instruments without it affecting its spirit, or because the choice of instrument may be considered a part of the artistic interest of the piece. ","image":null,"is_bookmarked":false}],"key":{"id":2,"url":"https://api.musopen.org/v2/keys/2/","slug":"g-major","name":"G Major","is_bookmarked":false},"licenses":["CC-BY"],"avg_duration":3,"practice_difficulty":"medium","rcm_difficulty_level":"","rating":5.0,"hits":47725,"is_bookmarked":false},"key":null,"instruments":[],"rating":0.0,"fileurl":"https://dl.musopen.org/sheetmusic/37a654ff-2970-45dc-bc8e-b502703c8de8.pdf?filename=Piano%20and%20Violin%20-%20Burmester.pdf","is_bookmarked":false}