{"id":6647,"url":"https://api.musopen.org/v2/scores/6647/","number":0,"title":"Complete Score","edition":null,"piece":{"id":3368,"url":"https://api.musopen.org/v2/pieces/3368/","slug":"liebster-jesu-mein-verlangen-bwv-32","title":"Liebster Jesu, mein Verlangen, BWV 32","description":"","movements":"","composer":{"id":30,"url":"https://api.musopen.org/v2/composers/30/","slug":"johann-sebastian-bach","first_name":"Johann Sebastian","last_name":"Bach","date_of_birth":"21st March 1685","place_of_birth":"Eisenach, Saxe-Eisenach, Germany","date_of_death":"28th July 1750","description":"Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he did not introduce new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France.","image":"https://s.musopen.org/media/images/composers/bach_col.jpg","is_featured":true,"is_bookmarked":false},"form":{"id":81,"url":"https://api.musopen.org/v2/forms/81/","slug":"cantata","name":"Cantata","description":"A Cantata is a musical composition for voice and instrumental accompaniment, usually spanning several movements and involving choral forces. The term has been in use since the early 17th century, when it usually designated a type of single voice madrigal. The cantata eventually evolved into a substantially secular dramatic piece, often indistinguishable from an opera fragment. In the case of religious-themed cantatas, it is hard to tell the difference with a small oratorio, or a fragment of oratorio. Nowadays the term is somewhat loosely employed. Famous pieces in the genre include Bach's collection of more than 200 cantatas, Carl Orff's Carmina Burana and Luigi Nono's 'el canto sospeso'.\r\n\r\n\r\n","is_bookmarked":false},"period":{"id":2,"url":"https://api.musopen.org/v2/periods/2/","slug":"baroque","name":"Baroque","description":"Baroque music describes a period or style of European classical music approximately extending from 1600 to 1750. This era is said to begin in music after the Renaissance, and was followed by the Classical period. The word \"baroque\" came from the Portuguese word barroco, meaning \"misshapen pearl\", an initially derisive characterization of the architectural style of this period; later, the name came to be applied also to its music. The baroque period saw the development of functional tonality, as well as the crystallization of the harmony and counterpoint rules which came to define the 'common practice period' (which extends from the baroque to the late romantic). Nowadays baroque music constitutes an important part of the academic music canon, being widely studied, performed, and listened to. It is associated with composers such as Antonio Vivaldi, George Frideric Handel, Arcangelo Corelli, Tomaso Albinoni, and Johann Sebastian Bach, all of which played an essential role in the development of modern musical concepts. During the baroque period a number of genres were established (such as the opera and the oratorio), the way was paved for new genres (such as the classical sonata and the symphony), and composers expanded the theoretical basis of music composition, making advances in musical notation and instrumental technique.","is_bookmarked":false},"instruments":[{"id":100,"url":"https://api.musopen.org/v2/instruments/100/","slug":"choir-and-orchestra","name":"Choir and Orchestra","description":"The practice of combining choirs and orchestras can be traced back to the different forms of instrumental accompaniment for choral music in the Renaissance and Baroque periods. As the practice of the basso continuo dissapeared, orchestral parts started to be fully written-out. Eventually the combination of orchestra and choir escaped the sphere of purely sacred music. One of the defining moments in the creation of the symphonic choral tradition was Beethoven's inclusion of soloists and choir in his Ninth Symphony (1824).","image":null,"is_bookmarked":false}],"key":{"id":14,"url":"https://api.musopen.org/v2/keys/14/","slug":"e-minor","name":"E Minor","is_bookmarked":false},"licenses":[],"avg_duration":14,"practice_difficulty":"medium","rcm_difficulty_level":"","rating":0.0,"hits":4332,"is_bookmarked":false},"key":null,"instruments":[],"rating":0.0,"fileurl":"https://dl.musopen.org/sheetmusic/1fa3e654-19a2-4627-bda3-7fcdb7566703.pdf?filename=Complete%20Score.pdf","is_bookmarked":false}