{"id":94625,"url":"https://api.musopen.org/v2/scores/94625/","number":1,"title":"Horn Part","edition":null,"piece":{"id":41590,"url":"https://api.musopen.org/v2/pieces/41590/","slug":"horn-concerto","title":"Horn Concerto","description":"","movements":"","composer":{"id":4353,"url":"https://api.musopen.org/v2/composers/4353/","slug":"christoph-forster","first_name":"Christoph","last_name":"Förster","date_of_birth":"30th November 1693","place_of_birth":"Bibra, Germany","date_of_death":"December 1745","description":"Christoph Förster was a German composer best known for his Oboe concertos. At the peak of his career, he was the musical director at the court of Merseburg. His works, such as his horn concerto, were published by the Friedrich Hofmeister Musikverlag.\nThe majority of Förster compositions are considered lost, including many existing manuscripts. ","image":null,"is_featured":false,"is_bookmarked":false},"form":{"id":3,"url":"https://api.musopen.org/v2/forms/3/","slug":"concerto","name":"Concerto","description":"A concerto is a musical composition, often in more than one movement, in which one or more solo instruments play along an orchestra (or some other comparatively big instrumental force). The etimology of the word suggests that the soloist(s) and the ensemble develop the piece by presenting contrasting episodes where they play independently, in cooperation, and in different levels of subordination. The concerto, as understood today, arose in the Baroque era with the 'concerto grosso', a musical form where a small group of players contrasted against a bigger orchestra. While the concerto grosso eventually declined, the solo concerto remains one of the most popular musical forms in Western classical music. \r\n\r\nHaving successfully survived through many the periods of Western classical music history, the Concerto underwent many formal changes. It is conventional, if only as a basic definition, to say that the concerto is usually a multi movement work, of which the first movement is roughly structured around the allegro-sonata form (even if Mozart himself treated his concertos with notable freedom in terms of formal development). The second movement of a concerto, as in the sonata/symphonic tradition, is usually slow and contrasts with the first one. It can be in an abridged sonata form, a romance, a set of theme and variations, etc. The third movement will traditionally return to the home key in lively tempo, usually in the form of a dance, rondo, etc.","is_bookmarked":false},"period":{"id":2,"url":"https://api.musopen.org/v2/periods/2/","slug":"baroque","name":"Baroque","description":"Baroque music describes a period or style of European classical music approximately extending from 1600 to 1750. This era is said to begin in music after the Renaissance, and was followed by the Classical period. The word \"baroque\" came from the Portuguese word barroco, meaning \"misshapen pearl\", an initially derisive characterization of the architectural style of this period; later, the name came to be applied also to its music. The baroque period saw the development of functional tonality, as well as the crystallization of the harmony and counterpoint rules which came to define the 'common practice period' (which extends from the baroque to the late romantic). Nowadays baroque music constitutes an important part of the academic music canon, being widely studied, performed, and listened to. It is associated with composers such as Antonio Vivaldi, George Frideric Handel, Arcangelo Corelli, Tomaso Albinoni, and Johann Sebastian Bach, all of which played an essential role in the development of modern musical concepts. During the baroque period a number of genres were established (such as the opera and the oratorio), the way was paved for new genres (such as the classical sonata and the symphony), and composers expanded the theoretical basis of music composition, making advances in musical notation and instrumental technique.","is_bookmarked":false},"instruments":[{"id":56,"url":"https://api.musopen.org/v2/instruments/56/","slug":"solo-instruments-and-orchestra","name":"Solo Instrument(s) and Orchestra ","description":"","image":null,"is_bookmarked":false}],"key":null,"licenses":[],"avg_duration":null,"practice_difficulty":null,"rcm_difficulty_level":"","rating":0.0,"hits":7579,"is_bookmarked":false},"key":null,"instruments":[],"rating":0.0,"fileurl":"https://dl.musopen.org/sheetmusic/e27fbff1-c900-448e-9ead-3a6397200d98.pdf?filename=Horn%20Part.pdf","is_bookmarked":false}